Tom’s story is a God Story. Like many of us, Tom grew up in a family who had very little consciousness of God or who Jesus was during his youth. He tumbled through his childhood in West Texas but entered the teen years lost and fighting to find his place in the world. He, like many angry sons who cry out for much needed but ungiven attention, love and significance, started grabbing for all the wrong substitutes the world had to offer including drugs and alcohol. His one redeeming grace was that he developed a deep love of working with his hands in shop at school. He discovered he was very good at carpentry. No matter what substances he reached for in his free time, he would put them aside while working on a jobsite. No one particularly cared what Tom was doing, so he dropped out of high school in his senior year and devoted himself to working hard and partying hard.
His twenties were the “lost” years punctuated with heartaches, failures, a broken marriage and deep depression. However, a dim awareness of something bigger than himself started to bloom in Tom’s heart each time he was spared in situations that should have ended very, very badly. In his late twenties, Tom decided to try and fix his life and joined Toastmasters and started reading positive thinking books. He also ran into another carpenter on a jobsite who became a friend. This friend consistently invited Tom to church over a five year period. Around age thirty, Tom finally decided to go with the friend to church just so he would quit bugging him. About three weeks later a couple of the men from the church came to visit Tom. They explained more to him and during that conversation Tom’s eyes and heart were opened and He invited Jesus Christ into his life as Savior. The change was dramatic and all-encompassing. Tom instantly lost the desire for the final dregs of his old life – cigarettes, snuff, drinking, etc. Strangely, a new, overwhelming drive to create something artistic came over Tom. He, who had never even been in an art gallery or to an art show, felt compelled to start drawing and painting. He bought some supplies, rented an old warehouse and would drive his truck into it to disappear from his friends and he started creating things. Basically, he was all over the board artistically – painting cartoons on the walls, sculpting things out of wood, doing sketches of friends and people. He also saturated himself in the Word of God. Those two years sequestered alone with the Lord, His Word and art were the most powerfully transformative years of Tom’s life.
During that time he also attended church and started praying to have a family of his own. He wanted a wife with a heart and kids. Tom’s Mom suggested he try his hand at sculpting. When Tom touched the clay for the first time, that was “it” and he knew he had found his preferred medium even though he could paint as well as he could sculpt. I met Tom at church before the first armature had clay on it. I was divorced with four kids ages 3 to 16 and running a business the Lord had miraculously shepherded me to open earlier to take care of my children. You can understand my surprise when Tom, who is a few years younger than me, asked me out. I jokingly asked if he could count, reminding him that I had four kids! His response, “Icing on the cake, baby.” Within a week or two Tom told me he was going to marry me. I thought he was nuts, but he later told me that the Lord told him “that’s the one” the minute we spoke the first time and he set about winning my heart. The thing about Tom is that when the Lord tells him something, he has no fear, just complete confidence that the Lord said it and that settles it. Tom truly became father to the fatherless taking my abandoned children in with all of his heart, soul and mind. We also went on to have a daughter together and the first of our ten grandchildren and counting at the same time.
When Tom finished his first sculpture of a Native American, called “Edgewalker, I urged him to get it bronzed, but he thought sculpting was just going to be a hobby. We finally took the clay to a large foundry in Lubbock to see about casting it. The foundry owner thought Tom was lying when he told him it was his first sculpture. Then Tom told the man we thought you just dipped them like baby shoes and the foundry owner knew we weren’t lying, just ignorant of the process. The owner, a gracious Christian man, told Tom he had to work for twenty years as a sculptor to create something that good. He kindly proceeded to educate us on the process of transforming clay into bronze through the many steps and stages of molds, wax, wax chasing, ceramic slurry layers, molten bronze, chasing the metal, patina and sealing the bronze. We were overwhelmed and spent the next ten years of our marriage trying to figure out how to get Tom out of carpentry and into “art” while raising all those children and making a living. I sold my business and devoted my time to serving the Lord, my family, Tom and his drive to become a full-time sculptor. Tom started sculpting Biblical stories into tabletop sculptures and doing a few commissions of people. The Lord was pushing Tom out of western art into dynamic, figurative sculptures of people as a master storyteller. No one was as surprised as Tom at finding out that he could actually duplicate a person’s features and that he could capture their spirit as well.
It was a strange journey first to Colorado where Tom worked as a carpenter. He only had time to create one sculpture scene, his first life-size, of a teacher reading to children. Becoming a full-time artist wasn’t working so we decided to try Maine, which I had always been fascinated with. Tom remodeled a 200-year old home with a massive, historic barn turning it into a studio and bed and breakfast called “A Prodigal Inn and Gallery.” We were working around the clock running the B&B without outside help and Tom working construction as well.
One day I convinced Tom to attend a small art show on our little village commons. This brought a customer and a friendship with a family who, unbeknownst to us, also attended our church during their summer stays in the area. After the tragic loss of one of their daughters, Tom was commissioned to do a lifesize sculpture of Jesus with their daughter bringing children to Him for her gravesite because she loved missions and children. Tom now has numerous different scenes of Christ and people at churches, schools and prayer gardens across the country and in Canada.
I had cried my way through trying to learn how to develop a website for the Inn and threw one up for Tom’s art as well. For years we did not have any calls from this site. Miraculously, the Lord sent some guests to our Inn for a week who worked for one of the big internet companies. They graciously advised me on how to improve our presence on the web. I incorporated the changes and we started getting calls from around the world. Tom started doing commissioned monumental sculptures and historical scenes even as far away as England. After much prayer, alone and with our church family, we closed the Inn and devoted ourselves to full-time art. A few years later the economy crashed and we desperately and unsuccessfully tried to sell the Inn. We entered a desert time of extreme loss and bewilderment. However, even during that painful time, when it looked like everything had come to a halt in our lives, the Lord sent encouraging words and strange, unexpected evidences that He was still with us and still had a plan for us. Most importantly, evidences that His plan for Tom was for him to be a sculptor for life. During this season of incredible loss, we had been asking “If there is no limit to God, what would our vision be if we wrote it down?” ( Habbakuk 2:2-3) One of the requests we wrote down would be that Tom would be able to do Biblical sculptures that would go worldwide, and that Christ would be lifted up. As the Lord continued to stir up our nest and make it impossible for us to stay there, we decided to leave Maine and head back out West to our roots. As soon as we said we would “go” things started happening at breakneck speed and miraculous doors started opening.
One such door was a call from the Billy Graham Evangelistic Association about maybe doing a sculpture illustrating the parable of the Sower. We were invited to the Billy Graham Library in NC to discuss this idea. Driving down, I kept reading the parable to Tom and asked him to try and incorporate all the soils into a concept since they represent the conditions of people’s hearts. At first Tom didn’t think that would work, but the folks at BGEA were enthused about the idea, so we went to our hotel room that night and he tried to sketch something up. Tom decided he had to have some clay instead, so we went to town and found some cheap clay, some oil, an artist’s palette for a platform and Tom made some tools out of what was on hand at the hotel. He worked all day and night into the morning with a vision of the Sower and the Soils that the Lord had planted in his mind. The next morning, we showed it to Donna Lee Toney, a longtime colleague of Franklin Graham’s. She phoned and told him that Tom had already created the whole sculpture concept in a 9” maquette. He invited us to his office in Boone, NC the next day to review the concept. After seeing the concept, Franklin said “It wasn’t what I expected.” We thought that was a bad thing, but actually it was the opposite – the sculpture had so dynamically captured the whole story that it seemed living and breathing! So Franklin asked us when we could get started and if we could change out the birds from the little sparrows to nasty crows. Tom told Franklin he just happened to have a dead crow in the freezer, so “sure, we can use that for the model.” The ways of the Lord are so funny and unexpected.
Tom proceeded to get the blueprint maquette done in two foot size and we took it to Franklin for approvals. From that point, we enlarged the sculpture into an 8 ft. version and had it cast into bronze at the foundry. After several months, the sculpture was completed, delivered and installed at the Billy Graham Library in Charlotte, NC. We were privileged to meet Dr. Billy Graham and so many wonderful, amazing servants of the Lord at the dedication of the sculpture. The folks there created a wonderful themed display in the Library around the implications of the Sower from scripture of any man being used by the Lord to spread the Gospel if the seed has fallen on good ground. Sometime later, we received a call from Franklin’s office placing order for the 2 ft. version of the “Sower and the Soils” for a gift for someone. We had watched a TV special of Franklin Graham and Greta Van Susteran during their trip to North Korea to take seed to those people through Samaritan’s Purse. A few weeks later we received photographs from Franklin Graham and his presentation of the bronze sculpture to Kim Yong Tae, Vice President of the Presidium of the Supreme People’s Assembly of the DPRK at the Mansudae Assembly Hall. I immediately starting weeping in amazement at the Lord – there is truly no limit to the Lord God Almighty! He can even get the Gospel into communist North Korea any time He chooses.
This was just one of many stories we have where the Lord has shown us that every little prayer we pray, if it is in His will, is not forgotten and will be answered in amazing ways. Tom has gone on to do portrait sculptures of Medal of Honor recipients, Senators, Governors, philanthropists and heroes from every field. We give all glory to God the Father, God the Son, and God the Holy Spirit, for using us as He did those in Acts 4:13 “Now when they saw the boldness of Peter and John, and perceived that they were uneducated, common men, they were astonished. And they recognized that they had been with Jesus.”
That is the continual prayer of our heart, to honor the Lord Jesus Christ with our lives as we attempt to stay in His flow and pattern for our lives.